Caryl Churchill
British playwright who continually reinvents dramatic form: Top Girls, Far Away, Escaped Alone.
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The parts list. Every concept, maker, and company you'll need to assemble the story.
British playwright who continually reinvents dramatic form: Top Girls, Far Away, Escaped Alone.
Simon McBurney's company, blending physical theatre, text, and technology — e.g. The Encounter, heard entirely through headphones.
Work created collaboratively by an ensemble, usually without a pre-existing script. Rooted in Grotowski, the Living Theatre, and Joint Stock.
Theatre made with or through networked media — livestreams, VR, games, social platforms.
Sheffield ensemble led by Tim Etchells, known for durational, playful, and self-aware devised work.
Performance that places audiences inside the world of the work, often free to move, explore, and interact. Spaces replace seats.
Two-time Pulitzer winner (Ruined, Sweat), whose research-driven plays bridge documentary and drama.
Performance artist whose The Artist Is Present (2010) made sitting across from her the artwork itself.
Hans-Thies Lehmann's term for performance that no longer centers the dramatic text. Image, body, sound, time, and the presence of spectators become the material.
British company led by Felix Barrett. Sleep No More (2003/2011) made masked, roaming audiences a global phenomenon.
German–Swiss collective casting 'experts of the everyday' instead of actors, often staging cities themselves (Remote X).
Work made for and shaped by a particular non-theatre location — a factory, a forest, a city street.
Augusto Boal's term from Theatre of the Oppressed: spectators who step in to change the action.
Plays built from the exact words of real people. Examples: The Laramie Project, Anna Deavere Smith's Fires in the Mirror.
Nigerian Nobel laureate fusing Yoruba ritual and modern drama: Death and the King's Horseman.